Upgrade Your Melody Vol. II – Time Signature

Upgrade Your Melody Vol. II – Time Signature

Maybe you know this: When you wake up, a sequence of tones buzzes around in your head. What do you do with it now? One possibility: create different pieces of music with one and the same tone sequence – by using different time signatures.

It is early in the morning. You wake up. A sequence of tones buzzes around in your head. Maybe it is really only a few notes, but maybe it is a whole phrase. For example, something like this:

Tonfolge ohne Taktart
A sequence of tones as it might come to your mind in the morning.

What next? If you just go on drinking your morning coffee and don’t care about the melodic idea anymore, that would be a great pity – because every musical idea has enormous potential! You can build very different kinds of music from one and the same idea by varying the corresponding musical parameters – for example the time signature.

Adrian, der Musiktheorie-GurUHU

Adrian, the Music Theory MentOWL:

“The time signature of a piece usually describes a pattern of equal basic beats and counting times, thus creating the basic temporal structure of the piece.” 1

Cited and translated from https://de.wikipedia.org/wiki/Takt_(Musik), 11/SEP/2020

Thanks, Adrian.

If you already know Adrian from previous blog posts, you know that he likes to express himself scholarly. My job then is to translate his statements for us ordinary mortals. I would like to try it this way: Music is an art of time. Just as painters apply colors to canvas, composers apply sounds to a timeline (of course, physically, they write them on paper, or, nowadays, at least in a file – but you can’t hear them there!):

A timeline.

As a composer, the timeline is your canvas. Now it might make sense to give some structure to this timeline, for example through impulses that occur at regular intervals – or, to use Adrian’s words, “basic beats”:

Zeitstrahl mit Grundschlägen
A timeline, structured by regularly recurring impulses, called "basic beats".

That is already more clearly arranged. If you now combine several of these basic beats, it becomes even clearer – you get bars.

Zeitstrahl mit Grundschlägen 2er-Gruppen
If you combine the basic beats into groups, you will get bars.

Now you can count the basic beats in each bar – you start at “1” and count up to the bar line. In the next bar you start again from the beginning. This is what Adrian means by “counting times”:

The counting times.

Depending on how many basic beats you combine in one bar, you will get different time signatures. In the example, you see a “duple meter”; you could also group three basic beats between two bar lines, then you would have a “triple meter”. Whatever you decide, by grouping the basic beats you create the basic temporal structure of the piece of music.

Adrian, der Musiktheorie-GurUHU

Adrian, the Music Theory MentOWL:

“That’s exactly what I told you.”

I know, Adrian, I know.

So what does all this have to do with your morning idea? Well, different time signatures have different stress patterns. A duple meter, for example, follows the heavy-light pattern…

Zeitstrahl mit Grundschlägen 2er-Gruppen durchgezählt mit Betonung
Heavy and light counting times in a duple meter.

…while a triple meter consists of one heavy and two light counts:

Zeitstrahl mit Grundschlägen 3er-Gruppen durchgezählt mit Betonung
Heavy and light counting times in a triple meter.

You can use this for your idea. The sequence of tones that came to your mind in the morning…

Tonfolge ohne Taktart

…can become both dance music in a triple meter…

…and a slow character piece in a duple meter:

I admit: For the sake of clarity, I have not only used different time signatures in these examples, but have also applied the principles of simple song accompaniment and adapted rhythm and tempo. A future blog post will deal with the parameter “tempo”; you can read about the possibilities of giving a melody a distinctive profile through rhythm in my blog post about syncopation.

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Jonathan Stark

Hello! I'm Jonathan Stark. As a conductor, it is important to me that visits to concerts and operas leave a lasting impression on the audience. Background knowledge helps to achieve this. That's why I blog here about key works of classical music, about composers, about opera and much more that happens in the exciting world of music. Hallo! Ich bin Jonathan Stark. Als Dirigent ist es mir wichtig, dass Konzert- und Opernbesuche beim Publikum einen bleibenden Eindruck hinterlassen. Dabei hilft Hintergrundwissen. Deshalb blogge ich hier über Schlüsselwerke der klassischen Musik, über Komponisten und Komponistinnen, über die Oper und vieles mehr, was sich in der aufregenden Musikwelt ereignet.

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